HIGH ACHIEVERS –

April 24, 2023 – Coleridge’s hope was a characteristic expression of the drug culture he belonged to. He was intimately acquainted with how drugs shaped his inner life, and his habit of self-interrogation, the minute attention he paid to his states of mind, was shared by his friends and collaborators. Thomas De Quincey, his former secretary, turned his own, unconquerable opium addiction into a wildly popular autobiography, “Confessions of an English Opium-Eater” (1821), in which he mapped the buried palaces of the mind. The young chemist Humphry Davy, whom Coleridge befriended, experimented with the psychoactive properties of nitrous oxide, administering it to willing subjects and logging their descriptions of heightened imaginative capacities. And Charles Lamb, the poet’s former schoolmate, placed alcoholism under the microscope in “Confessions of a Drunkard” (1822), an essay in which he considered, under the guise of his alter ego, Elia, the perverse dependence of his reasoning abilities on intoxication. In each case, drugs figured not only as sensory agents, sources of pleasure or pain, but as a kind of education: tools you could think with, or try to think against.

Click@NewYorker